Brief Sketch of Personal History
1925	born in Fushun, China
1951	graduated from the department of philosophy, the University of Tokyo specialty: aesthetics
1951-1955	graduate school, the University of Tokyo major: philosophy of science
1955-1961	Assistant Professor at the University of Tokyo
1961-1972	Lecturer, Associate Professor(1965), Professor(1971) at the Tokyo Metropolitan College of Air-Technology
1971-1988	Professor, the Metropolitan College of Technology, Tokyo
1986-1990	Professor, the Metroploitan Institute of Technology
1990-1994	Professor, the Nagano University
1994-1996	Professor, the Tohoku University of Art and Design
1997-2001	Visiting Professor, Tama Art University
1995-2006	Lecturer, the Department of Philosophy, Nihon University
1990-	Professor Emeritus of the Metropolitan Institute of Technology
1996-	Professor Emeritus of the Tohoku University of Art and Design
1986	Ph.D from the Osaka University
18.12.2012	died in Kobe, Japan

Brief History of Research and Experiment
1950s	Semiotic Aesthetics       S.Langer, Ch.Morris
1960s	Analytic Aesthetics Informational Aesthetics       M.Bense, A.Moles, L.Meyer and others Computer Art Experiments       Markov chain picture production       Tanka (Japanese 31 letter poem) production       -- by Markov chain and generative grammer --
1970s	Picture production by PDL (Picture Descriptive Language) Music composition and performance experiments Theoretical Researches for Post Markov model       Chomsky's Generative Grammer and PDL       Artificial Intelligence
1980s	Theoretical Researches for Post AI       The Society of Mind Theory    M.Minsky, S.Papert and others       The Frame Theory    semantic and pragmatic Experiment       KSOM (Kawano Society of Mind) by LOGO       DORAEMON   - Pragmatic Frame Programming -
1990s	Theoretical Research       from sequencial to parallel computation       folk theory for post-computational aesthetics
2000s	New Paradigm for Art Revolution       -- parallel distributed processing    aesthesis and art Physical and Mathematical Foundation to the New Aesthetics

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PAPERS published in Japanese (incl. magazine articles)
code	Title	Journal	year	file[pp]
001	Inquiry into Intuitionism around Kant and Hegel	Bigaku(Aesthetics) v5n3 pp.38-46	1954	pdf[ 5]
002	Max Rieser: The Semantic Theory of Art in America	Bigaku v7n3 pp.72-75	1956	pdf[ 4]
003	S.K.Langer: Semantic Theory of Art	Bigaku v10n3 pp.57-60	1959.12.30	pdf[ 4]
004	On the Aesthetics Symposium at Annual Meeting of American Philosophical Association	Bigaku v10n4 pp.58-64	1960.3.31	pdf[ 7]
005	Trend of Art Semiotics in the USA - C. Morris and A. Kaplan	Bigaku v11n2 pp.61-64	1960	pdf[ 4]
006	Richard F. Kuhns Jr.: Art Structures	Bigaku v12n2 pp.65-68	1961.9.30	pdf[ 4]
007	On Definition of Aesthetic Terms <abstract>	Bigaku v13n3 pp.4-7	1962.12.30	pdf[ 4]
008	What is Design? <abstract>	Bigaku v17n3 pp.59-62	1966.12.31	pdf[ 4]
009	Problems of Value in Information Aesthetics <abstract>	Bigaku #69 v18n1 pp.22-32	1967.6.30	pdf[ 7]
010	Finiteness of Art and its Linguistic model <abstract>	Bigaku v26n1 pp.21-31	1975.6.30	pdf[11]
011	Conception of Folk Aesthetics (Report of the 48th National Congress of Aesthetics)	Bigaku v48n3 p.38	1997.12.31	pdf[ 1]
012	About Zofia Lisa's "Fragender Musikaesthetik"	Tsukue(Desk) v7n2 pp.24-27	1956.2	pdf[ 4]
013	Aesthetic Trend of Recent Semantics	Tsukue v11n2 pp.24-27	1960	pdf[ 4]
014	New Development of Artistic Semiotics	Risou(Ideal) #345 pp.63-77	1962.1	pdf[15]
015	New Trend of Semiotic Aesthetics	Risou #370 pp.44-47	1964.3	pdf[ 4]
016	Aesthetics of Mass Art and Information Theory	Risou #373 pp.63-76	1964.6	pdf[14]
017	Art and Machine (The Theory of Man Machine)	Risou #421 pp.33-43	1968.6
018	Computer and Design	IBM REVIEW No.6 pp.53-57	1964.9	pdf[ 7]
019	Design-simulation by computer	11th Japanese Society for the Science and Design meeting, Abstract pp.8-11	1964	pdf[ 3]
020	Computer generated design	Kagaku Yomiuri 1964.11. pp.21-27	1964	pdf[ 7]
021	Art engineering and Artcracy	Display 1965.2. pp.26-29	1965	pdf[ 4]
022	Stochastic art and Electronic computer	Japan Display 1965.6. pp.28-33	1965	pdf[ 6]
023	Design by Computer	OKITAC Study Society Vol.2 No.2 pp.1-10	1965.5.24	pdf[ 6]
024	Possibility of Computer Art	Asahi Journal v7n41 pp.96-102	1965.10.3	pdf[ 7]
025	Mimesis and Creation in the Art	Philharmony v38n3 pp.2-10	1966.3	pdf[10]
026	Reflection Theory in Aesthtics	Nihon Univ. The Art Science #12 pp.1-12	1966	pdf[ 8]
027	Computer Art - Now and Then -	Shizen(Nature) 1967.4. pp.54-63	1967	pdf[ 7]
028	Papert and LOGO - mediator between science and sensibility	Shizen v38n5 pp.36-43	1983
029	Design Creation by using a computer	Japan Printer #50 pp.33-38	1967	pdf[ 6]
030	Computer Futurology	COMPUTOPIA 1967.12. pp.43-51	1967	pdf[ 9]
031	Semiotics and Information Theory	Ongaku Geijutsu 1967.10. v25n10 pp.28-31	1967	pdf[ 2]
032	The World of semiotic-aesthetics	Design Review #9 pp.35-41	1969.6	pdf[ 6]
033	The information analysis of musical communication	Ongakugaku(Musicology) v.15 pp.1-21 Journal of the Musicological Society of Japan	1970.7
034	Intention and Performance	Annals of Ethics #19 pp.103-114	1970
035	Computer Art	Graphic Design #41 pp.31-42	1971.3.20	pdf[13]
036	Musical computing system	IPSJ(Information Processing Society of Japan) Programming symposium (12 pages)	1976
037	Composing formal TANKA by Semiotic ATN	IPSJ General meeting pp.831-832	1980	pdf[ 2]
038	Computer as an artificial musician	IPSJ Computer and Music symposium pp.41-50	1984.7
039	The theory of anti-interface	Studia semiotica v.7, pp.37-41 the journal of the Japanese association for semiotic studies	1988.5
040	Information Theory of Music	IPSJ magazine v29n6 pp.539-548 Journal of Information Processing Society of Japan	1988.6.15	pdf[10]
041	Computer and Music	IPSJ magazine v29n6 pp.613-622	1988.6.15	pdf[10]
042	Individual - Components of Postmodern Art	Musashino Bijutsu(Musashino art) #078 pp. Musashino Art University	1990
043	Notes on "Dance as cross-cultural experience"	46th Aesthetics general meeting, workshop(ed. Kenichi Sasaki) pp.221-225	1996
044	Context theory in Analytic Aesthetics	TetsugakuZasshi(Philosophy magazine) #748 pp.87-95	1961.9.30	pdf[ 6]
045	Computer and Man	Tetsugaku(philosophy) v15 pp.158-160 Journal of The Philosophical Association of Japan	1965	pdf[ 3]
046	New thoery of idea	Tetsugaku v26 pp.85-86	1976.5
047	Experimental Designs under Monte Carlo method	Science and Philosophy(ed.Kunihiko Yamada)	1964.6
048	Logic of art simulation	Philosophy of Science Society general meeting	1965
049	Computer and Language	9th Philosophy of Science general meeting	1965	pdf[ 1]
050	Abstract information and Concrete information in the World of Signs	Philosophy of science v1 pp.71-82 Journal of Philosophy of science Society, Japan	1968.10	pdf[12]
051	Machines learn and understand Language - Markov Destination and Automaton	Philosophy of science v7 pp.15-25	1974.11	pdf[11]
052	Mechanism of nonverbal communication - a pragmatics in linguistic process	Philosophy of science v12 pp.29-43	1979	pdf[15]
053	Mechanism of living knowledge - the philosophy of science attached with cognitive science	Philosophy of science v15 pp.15-30	1982	pdf[16]
054	Cognitive Science and Philosophy	Philosophy of science v16 pp.1-4	1983	pdf[ 4]
055	Hermeneutics of deviated expressions	Philosophy of science v19 pp.43-60	1986	pdf[18]
056	Mind of Computer - from "Chinese Room" to "the Society of Mind"	Philosophy of science v20 pp.15-30	1987	pdf[16]
057	Image of alien world - its expression and understanding	Philosophy of science v24 pp.1-16	1991	pdf[16]
058	Meaning and Intention	Philosophy of science v32n1 pp.1-14	1999	pdf[14]
059	Freedom and Law - from the viewpoint of Informatic Machine	Studies of Philosophy of Science v9n2 pp.34-39 Japan Association for Philosophy of Science	1969.3	pdf[ 6]
060	Expectation and suggestion in understanding - an abduction system	Studies of Philosophy of Science v16n1/2 pp.83-89	1982.12	pdf[ 7]
061	Art as an information processing technology	Shisou(Thought) No.551 pp.68-81	1970.5
062	The logic of image processing	Studies of Broadcasting v.24 pp.97-126	1972.3
063	Informatic sketch of the imaging theory	Mathematical Sciences v15n3 pp.9-13	1977.3
064	Transfiguration of Knowledge - the use of Frame	Mathematical Sciences v21n6 pp.66-72	1983.6
065	Human picturing programs - LOGO, Smalltalk and just a fantasy	Mathematical Sciences v21n12 pp.46-51	1983.12
066	The mechanism of artistic symbols	Mathematical Sciences v23n6 pp.53-59	1985.6
067	Aesthetics in Artificial Intelligence	Mathematical Sciences v25n6 pp.18-26	1987.6
068	Innovation of Beauty	Mathematical Sciences v27n1 No.307 pp.5-11	1989.1
069	Aesthetics in Computer Graphics	Image technology and engineering No.7 pp.2-8	1986	pdf[ 7]
070	Philosophical Approaches to Cognitive Science	Journal of Japanese Society for Artificial Intelligence v3n2 pp.178-185	1988.3.20	CiNii
071	Post-semiology of Body expression	Journal of health, physical educaton and recreation v39n1 pp.21-24	1989.1
072	Possibility of Computer Arts	ComputerToday No.34 pp.64-69	1989.11	pdf[ 7]
073	Information Aesthetics, CTG and Computer Graphics Animation	NICOGRAPH news No.20 pp.6-7	1990.7	pdf[ 3]
074	Inverse-Metaphor and Folk Aesthetics	General research project report on the East Asian cultures -1- pp.132-141	1997
075	View of 'Quit Europe and Join Asia'	General research project report on the East Asian cultures -2- pp.127-139	2001
076	Consciousness-Only Theory and Quantum Theory	General research project report on the East Asian cultures -3- pp.150-174	2004
077	A New Construction of Folk Aesthetics	Ethno-arts pp.148-155	1998.4
078	A comment to Yoshida's "Paradigm shift of Modern Science"	IIAS report 1998-012 pp.47-50 International Institute for Advanced Studies	1999
079	What is Computer Art?	20th Century Computer Art: Beginnings and Developments pp.6-10	2006.11
080	Natural dialectics of reality collapse	Journal of logical philosophy v5 pp.7-17	2007	pdf[11]
081	Prof. Nagai's philosophy of science in my view	Journal of logical philosophy v5 pp.57-59	2007	pdf[ 3]
082	An Inquiry into Aesthetic Information Theory	MTMC(Memoirs of Tokyo Metropolitan College of Air Technology) #1 pp.77-85	1962	pdf[ 6]
083	Linguistic Analysis and Information Theory	MTMC #2 pp.85-96	1963	pdf[ 8]
084	Experimental Design under Monte Carlo method	MTMC #3 pp.75-91	1964	pdf[17]
085	Experimental design under Monte Carlo method II	MTMC #4 pp.83-98	1965.1.10	pdf[10]
086	Informational analysis of Response in musical experience	MTMC #5 pp.171-188	1966	pdf[11]
087	Formation of Early Romanesque style in the Reichenau School	MTMC #5 pp.189-199	1966	pdf[ 7]
088	Generative free image making by using computer	MTMC #6 pp.97-103	1967	pdf[ 5]
089	The analysis and generation of TANKA (Japanese 31 syllable poem)	MTMC #6 pp.105-114	1967	pdf[ 7]
090	Informational analysis of Response in musical experience II	MTMC #7 pp.67-76	1968.3
091	The analysis of picture surprisal	MTMC #8 pp.67-76 (63-75?)	1969.3
092	The analysis of picture surprisal 2	MTMC #9+10 pp.23-45	1971
093	The analysis of semantic information in learning process of K system	MTMC #9+10 pp.47-58	1971
094	The design of Markov-chain picture language	MTMC #11 pp.61-86	1972
095	PDL Picture processing algorithm	MMCT(Memoirs of The Metropolitan College of Technology) v1 pp.127-136	1973
096	Dynamic picture design system in extended PDL	MMCT v3 pp.123-146	1975.3
097	Analysis-Composition-Performance System of Music Computer	MMCT v4 pp.105-118	1976.3	pdf[ 8]
098	PDL picture processor in LISP	MMCT v5 pp.193-214	1977.3
099	Intelligent Musical Performance by Microcomputer	MMCT v6 pp.101-120	1978.3	pdf[11]
100	Generation of TANKA by ATN embedded with Semantic control	MMCT v8 pp.149-171	1980.3	pdf[13]
101	The Music Computer with Hierarchical list Structure	MMCT v11 pp.251-273	1983.3	pdf[13]
102	SHIROURURI - a Metaphor as Parallel-Distributed Expression	Academic Bulletin of Nagano University v13n2/3 pp.117-133	1991.12
103	From Expression to Construction - interaction among individuals and emergence of the whole	Academic Bulletin of Nagano University v15n1 pp.69-93	1993.6
104	Narrative and Schematized Aspects	MTMIT(Memoirs of Tokyo Metropolitan Institute of Technology) v11 pp.239-251	1997.3
105	The self of FUTAOMOTE(dual faces) - Agent and Agency	MTMIT v12 pp.165-176	1998.9
106	Quotation and Comment	MTMIT v12 pp.151-164	1998.9
107	Japanese Art and JOMON spirit(1) JOMON Renaissance and Noh	MTMIT v13 pp.163-169	1999.11
108	Japanese Art and JOMON spirit(2) Tea, Haikai and Japanese paradigm	MTMIT v13 pp.171-178	1999.11
109	Meditations on Aesthetic Computation	MTMIT v13 pp.179-186	1999.11
110	Meditations on Aesthetic Computation(02)	MTMIT v14 pp.173-179	2000.11
111	Meditations on Aesthetic Computation(03)	MTMIT v14 pp.181-188	2000.11
112	Meditations on Aesthetic Computation(04)	MTMIT v15 pp.171-178	2001.11
113	Meditations on Aesthetic Computation(05)	MTMIT v15 pp.179-185	2001.11
114	Meditations on Aesthetic Computation(06)	MTMIT v15 pp.187-194	2001.11
115	Meditations on Aesthetic Computation(07)	MTMIT v16 pp.147-152	2002.11
116	Meditations on Aesthetic Computation(08)	MTMIT v16 pp.153-158	2002.11
117	Meditations on Aesthetic Computation(09)	MTMIT v16 pp.159-164	2002.11
118	Meditations on Aesthetic Computation(10)	MTMIT v17 pp.183-189	2003.11
119	Meditations on Aesthetic Computation(11)	MTMIT v17 pp.191-197	2003.11
120	Meditations on Aesthetic Computation(12)	MTMIT v17 pp.199-205	2003.11
121	Meditations on Aesthetic Computation(13)	MTMIT v18 pp.203-208	2004.11
122	Meditations on Aesthetic Computation(14)	MTMIT v18 pp.209-214	2004.11
123	Meditations on Aesthetic Computation(15)	MTMIT v18 pp.215-220	2004.11
124	Meditations on Aesthetic Computation(16)	MTMIT v18 pp.221-227	2004.11
125	Meditations on Aesthetic Computation(17)	MTMIT v19 pp.157-162	2006.1
126	Meditations on Aesthetic Computation(18)	MTMIT v19 pp.163-169	2006.1
127	Meditations on Aesthetic Computation(19)	MTMIT v19 pp.171-177	2006.1
128	Meditations on Aesthetic Computation(20)	MTMIT v19 pp.179-185	2006.1
(Papers [109]..[128] are reprinted in Book [309])
129	The theory of Reduction - the structure of Reality Collapse and Emergent Consciousness	Bulletin of the Cultural Research Institute vol.36 pp.23-48	2005.3
130	How computer arts are produced?	Kindai_keiei(Management today) v15 n11 pp.74-77	1970.9	pdf[ 4]
131	Possibility of Computer's Art	Mugendai(Infinity), IBM Japan No.13 pp.16-19	1972.12	pdf[ 6]
132	Computer Art Exhibition review	Design pp.29-44	1970.10	pdf[10]
133	Computer graphics (coauthor)	Graphic Design pp.37-54 Japanese/English	1969.3	pdf[23]
134	Double righteousness of the information	11th Philosophy of Science general meeting	1967
135	1st Computer art contest	Computopia 1968.4 pp.57-63	1968	pdf[ 7]
136	Computer artist	Computopia - special issue Computer art in perspective pp.66-73	1973

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PAPERS published in English (incl. magazine articles)
code	Title	Journal	year	file[pp]
133	Computer graphics (coauthor)	Graphic Design pp.37-54 Japanese/English	1969.3	pdf[23]
201	the aesthetics for computer art	bit international No.2 pp.19-28	1968	pdf[ 6]
202	Computer-aided Aesthetics as Simulation of Art	7th Int'l Congress of Aesthetics, Bucharest	1972
203	Aesthetics in Computer Science	13th Int'l Congress of Aesthetics, Lahti, Finland	1995	pdf[ 6]
204	Inverted Metaphor and Folk Aesthetics	2nd East Asian Int'l Semiotic Seminar, Shanghai, China 14th Int'l Congress of Aesthetics, Ljubljana, Slovenia Memoirs of TMIT vol.12 pp.139-150	1997 1998 1998.9	pdf[ 8]
205	Ostension and Creation of Artwork -Asian Seeds in Postmodern Aesthetics-	15th Int'l Congress of Aesthetics, Makuhari, Japan	2001
206	Analysis of Information Processing of Art	Psychologia vol.15 pp.156-166	1972	pdf[ 6]
207	PDL Processor for Picture Production	ICCH/1, 1st Int'l Conference on Computers and the Humanities, Univ of Minnesota	1973
208	Markov Process Theory of Picture	ICCH/2, 2nd Int'l Conferene on Computers and the Humanities, Univ of Southern California	1975	pdf[12]
209	Image Transformation and Aesthetics	ACM SIGGRAPH'85 Panel "Aesthetics of Computer Graphics"	1985
210	Doraemon as an artistic image processor	Visual Computer vol.2 pp.195-203	1986	pdf[ 9]
211	Living in an Alien Society	FRIEND21 workshop	1989.9.7	pdf[ 9]
212	A New Method in Scientific Aesthetics	Semiosis 59/60 pp.31-62	1990	pdf[32]
213	Metaphor for Human Interface	Next Generation Human Interface Architecture Workshop	1990	pdf[ 5]
214	Folk Aesthetics on Computer Metaphor	Semiosis 83/84 pp.67-80 Shenzen Int'l Aesthetics and Aethetic Education Conference	1995	pdf[14]
215	Folk Aesthetics as a Postmodern Paradigm	20th Century Art, Int'l Conference, St. Petersburg, Russia 1st Int'l Conference of Eastern Aesthetics, Huhhot, China	1999 2000	pdf[ 7]
216	Locality of Artistic Creation	Int'l Conference on Aesthetics and Art Education pp.1-6	2002	pdf[ 3]
217	Computer Art and Picture Language(Zagreb colloquy)	MTMC vol.11 pp.97-101	1972
218	The Design of Conversational PCS	MMCT vol.2 pp.17-140	1974
219	Tanka Generation by Bottom-up ATN	MMCT vol.9 pp.175-191	1981
220	Doraemon as a pragmatic Processor	MMCT vol.10 pp.173-183 10th Anniversary Special Issue	1982.3
221	The Art of PERSON -For Anthropomorphization of the LOGO Turtle-	MMCT vol.12 pp.191-207	1984.3	pdf[17]
222	Mind as the Monad Society without God	MMCT vol.13 pp.217-227	1985.3	pdf[12]
223	Image Transformation and Aethetics	MMCT vol.14 pp.79-82	1986	pdf[ 4]
224	Imaging by the Society of Mind	MMCT vol.14 pp.83-88	1986	pdf[ 5]
225	Empathetic society of mind for abnormal text	MTMIT vol.1 pp.107-127 Language of design vol.1 pp.27-36	1987.3 1992	pdf[10]
226	Mind of Computer - From the Chinese Room to the Society of Mind	MTMIT vol.2 pp.117-126	1988.3	pdf[ 7]
227	A New Method of Scientific Aesthetics (1)	MTMIT vol.3 pp.105-117	1989.3
228	A New Method of Scientific Aesthetics (2)	MTMIT vol.3S pp.37-51	1989.10
229	Democracy in Computer	MTMIT vol.3S pp.53-58	1989.10	pdf[ 5]
230	The Markov Model of Art	MTMIT vol.3S pp.59-66	1989.10	pdf[ 6]
231	Folk Aesthetics and Computing Pluralism	MTMIT vol.10 pp.225-230 15th Congress of Int'l Association of Empirical Aesthetics, Rome European Journal for Semiotic Studies v10n3 pp.483-492	1996.7 1998 1998	pdf[ 6]
232	Artist's comment on Red tree	LES CAHIERS SESA No.5, p.12	1973.10	pdf[ 1]
233	Artist's comment	Computer Graphics and Art vol.1 no.2, p.12	1976.5	pdf[ 1]
MTMC: Memoirs of Tokyo Metropolitan College of Air-Technology MMCT: Memoirs of The Metropolitan College of Technology MTMIT: Memoirs of Tokyo Metropolitan Institute of Technology

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BOOKS (in Japanese)
code	Title	publisher	year	pages	ISBN
301	Bigaku(Aesthetics)	the Univ of Tokyo Press	1967	280
302	Communication and Art	Hanawashobo	1968	271
303	Theory of Art Information	Shinyosha	1972.9	386
304	Art, Sign and Information	Keisoshobo	1982.12	245	4-326-19850-8
305	Logic of Art	the Waseda Univ Press	1983.6	300
306	Computer and Aesthetics	the Univ of Tokyo Press	1984.12	341	978-4130800853
307	LOGO Primer	Baifukan	1987.3	247	978-4563013110
308	The Emergence of Network Aesthetics	Toshindo	2009.10.30	279	978-4887139381
309	Materialism - Meditations on Aesthetic Computation (Paper 109..128 and Additions)	Librarie-éditeur Ashikaze	2009.12.23	430	978-4990500306
BOOKS (omnibus editions)
code	Title Book titles in English are not authorized	publisher	year	pages	ISBN
311	Logic of Arts and Semiotic Aesthetics Coauthor: Philosophy in the science age -2- pp.208-229	Baifukan	1964.8.30	290
312	Technology and Art 12 points of view to Philosophy(ed. Kojima) pp.253-280	Risosha	1965
313	Analytic Aesthetics Lecture: New trend of aesthetics -3-(ed. Takeuchi) pp.59-128	Bijutsu Shuppan-sha	1966.1	248
314	Plastic Arts, Activities and Languages Pursuing infant education(ed. Suzuki) pp.152-157	Hikari-no-kuni	1966
315	Logic of Art Tetsugaku(Philosophy)(ed. Sawada) pp.198-213	Yuhikaku	1967
316	Ideology and Method of Design Simulation using Computer Giving consideration to modern design(ed. Hayashi) pp.61-96	Bijutsu Shuppan-sha	1968.4	223
317	Translation: Philosophy of Art by Virgil Aldrich(1963) Foundations of Philosophy Series -10- Introduction, Chapers 1 and 4	Baifukan	1968	182
318	Information Theory 1.Consciousness of Design and Information Theory in Modern Arts pp.362-364 2.Max Bense's Information Theory pp.365-381 3.New Experimental Aesthetics and Emergence of Computer Art pp.381-384 The essence of modern design theory(ed. M.Katsumi) pp.362-384	Perikansha publishing	1969.6	384
319	Fallacy of no intention in Art Critic Coauthor: Sound and meditation pp.134-146	Ongaku no tomo sha	1969	578
320	Artificial Language and Logic of Computation Philosophy of Language(ed. Sakamoto) pp.59-94	Gakubunsha	1972	380
321	Information Theory of Images Coauthor: New dimension of information culture -3- pp.31-58	Gakken	1972	148
322	Informatics of Images Modern education and Informatics(ed. Oshima) pp.159-179	Dai-ichi Hoki	1975
323	Space and Time in Arts Coauthor: Space and Time pp.155-190	Shoukokusha	1975	361	4-395-28012-9
324	What is Computer Art?(in English) Artist and Computer(ed. Ruth Leavitt) pp.112-113	Harmony Books	1976.6	121	0-517-527359
325	Study of Artificial Language: Computer Language and Artificial Intelligence Coauthor: Modern Philosophy -3- pp.175-252	Kobundo	1977.10	426
326	History of Japanese Ideology and Science of Art Coauthor: History of Japanese Ideology -2- pp.125-136	Yuzankaku	1978
327	Art as Semiotic Process pp.2-18 Cybernetics of Art pp.48-65 Coauthor: Art as Symbol	Keisoshobo	1982.7	311	4-326-14812-8
328	Informatics of Production Coauthor: Industrial Design -1- pp.93-123	Japan Publication Service	1983
329	Experimental Aesthetics Bigaku(Aesthetics) -3- (ed. Imamichi) pp.143-175	the Univ of Tokyo Press	1984.9	336	978-4130150330
330	Science, Technology and Arts: Bigaku -5- (ed. Imamichi) pp.87-109	the Univ of Tokyo Press	1985.5	405	4-130-15035-9
331	Life Coordinates of Folk Art Science of Ethno-art(ed. Kimura) pp.52-57	NHK Publishing	1986.11	247	4-14-009115-0
332	Editorial: Japanese edition of Computations from the English by Robert F. Simmons	Baifukan	1991.4	335	4-563-00795-1
333	Coauthor: Encyclopedia of Semiotics	Kashiwashobo	2002.5	493	978-4760121885

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Programming - Design
code	items	language	date	pages	file
401	DESIGN1 program note, memo('EXPERIMENT I' 'SIP')	OKISIP	1963.12.18	6	pdf
402	DESIGN2 program note, memo('update' '5colors' 'line approximation' '12 sections')	OKISIP	1964.3.16	14	pdf
403	work instruction sheet (COMPILE AND EXECUTE: DESIGN3)		1964.3.31	1	pdf
404	DESIGN3 program	OKISIP		8	pdf
405	DESIGN4 program	OKISIP	1964	8	pdf
406	LPRT (DESIGN5''' program)	OKISIP		1	pdf
407	DESIGN5'' print subroutine	OKISIP		11	pdf
408	DESIGN5' revision to DESIGN5 program note(2), LPRT(3, DESIGN5' program)	OKISIP		5	pdf
409	DESIGN5」	OKISIP		10	pdf
410	DESIGN6」	OKISIP		11	pdf
411	DESIGN6''」 program note(10), LPRT (3, DESIGN6'' program codes)	OKISIP		13	pdf
412	punch tape instruction (DESIGN7), LPRT (3, DESIGN7 program), punch tape instruction (DESIGN7'), program note(7,A1-3,B1-4)	OKISIP	1969.3.13	12	pdf
413	LPRT (DESIGN7' program, results, DATA1,2,3 for DESIGN7')	OKISIP	1969.	8	pdf
414	LPRT (DESIGN8 program, DESIGN8' program)	OKISIP		5	pdf
415	DESIGN8 programming draft	OKISIP		12	pdf
416	work instruction sheet (DESIGN9), LPRT (25, program[4], data[5], pattern[16])	OKISIP	1967.1.7	26	pdf
417	work instruction sheet (DESIGN9), LPRT (9, patterns[8], data[1])		1967.1.1	10	pdf
418	DESIGN9 LPRT file covers			2	pdf
419	OKITAC 5090 Simulated Color Mosaic Program」 envelope, LPRT (2, DESIGN9 program)	OKISIP		3	pdf

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Programming - Music
code	item	Language	date	pages	file
421	LPRT (Music Response Analysis 1 program)	Algol	1965	3	pdf
422	LPRT (Music Evaluation Analysis 1)	Algol	1965	4	pdf
423	LPRT (program)	Algol	1965	5	pdf
424	「Music Response 2」 program note	Algol	1965	4	pdf
425	「Music Evaluation Analysis 1」 program note	Algol	1965	3	pdf
426	「Music Response 1」 program note	Algol	1965	3	pdf
427	LPRT (Music Analysis program)	Algol	1965	8	pdf
428	「KH System for Music」 files		1978-1981	88	pdf

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Programming - Memo
code	content	date	pages	file
431	"making ANC" OKISIP programming note		10	pdf
432	OKISIP programming note		4	pdf
433	Algol program note (Music) --> [086] Informational analysis of Response in musical experience	1965	14	pdf
434	"Initial Set"		1	pdf
435	"making 9 digit sequence of 1 and 2" OKISIP programming note, LPRT(1 OKISIP program)	1964	7	pdf
436	OKISIP coding memo		4	pdf

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Computer Based Art seminar    1st 1966.1.31. --- 13th 1967.2.13.
code	content	language	date	pages	file
441	'TANKA generation program' note	FORTRAN	1966	18	pdf
442	'TANKA-composition programming' note	FORTRAN	1966	12	pdf
443	'Pattern generation by Markov Process Model' draft		1966	1	pdf
444	'A rule of wording in Tanka composition' in 7th meeting minutes pp.5-7	LISP	1966.9.8	5	pdf
445	'Analysis and composition of Tanka, supplement' blueprint	LISP	1966	8	pdf
446	Minutes of 1st CBA meeting		1966.1.31.	2	pdf
447	Minutes of 2nd CBA meeting		1966.3.30.	5	pdf
448	Minutes of 3rd CBA meeting		1966.5.9.	12	pdf
449	Minutes of 4th CBA meeting		1966.6.6.	10	pdf
450	Minutes of 5th CBA meeting		1966.7.11.	4	pdf
451	Minutes of 6th CBA meeting		1966.8.15.	14	pdf
452	Minutes of 7th CBA meeting		1966.9.8(?).	8	pdf
453	Minutes of 8th CBA meeting		1966.10.3.	4	pdf
454	Minutes of 9th CBA meeting		1966.10.8.	2	pdf
455	Minutes of 10th CBA meeting		1966.11.14.	3	pdf
456	Minutes of 11th CBA meeting		1966.12.9.	5	pdf
457	Minutes of 12th CBA meeting		1967.1.16.	4	pdf
458	Minutes of 13th CBA meeting		1967.2.13.	3	pdf
459	Design competition rule(draft)		1967	2	pdf
460	Minutes of Computer Art competition preparatory meeting		1967.7.3.	2	pdf

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Simulated Color Mosaic [HITAC 8800/8700] TODAI CENTER
code	Title	language	date	pages	file
501	LPRT No.P00374 (LMN OPQ)	FORTRAN	1974.9.25	10	pdf
502	LPRT No.P00386 (ABCDEFG)	FORTRAN	1974.9.25	12	pdf
503	LPRT No.P00541 (HI)	FORTRAN	1974.9.25	6	pdf
504	LPRT No.P00684 (J)	FORTRAN	1974.9.25	5	pdf
Simulated Color Mosaic [IBM SYSTEM 360] IBM DATA CENTER
505	LPRT result image「A1 ABCDEF」		1974.9.25	18	pdf
506	LPRT JOB4899 「A2-1 ABCDEFGH LM)	FORTRAN IV	1974.9.25	41	pdf
507	LPRT (ABCDEFHLM coloring)			10	pdf
508	LPRT result image 「A2-1 ABCDEFG HLM」		1974.9.25	16	pdf
509	LPRT JOB4913 「A2-2 ABCDEFGH LMN」	FORTRAN IV	1974.9.25	42	pdf
510	LPRT result image 「A2-2 ABCDEF GHLM N」		1974.9.25	18	pdf
511	LPRT JOB4927 「ABCDEFGH LMNQ」	FORTRAN IV	1974.9.25	60	pdf
512	LPRT JOB5055 「B1 BCD IJ」	FORTRAN	1974.9.26	10	pdf
513	LPRT result image 「B1 BCDIJ」		1974.9.26	18	pdf
514	LPRT JOB5070 「B2 ABCDEF IJ」		1974.9.26	13	pdf
515	LPRT result image 「B2 ABCDEF IJ」		1974.9.26	18	pdf
516	LPRT JOB5087 「B3 ABCDEF HIJ LM」		1974.9.26	17	pdf
517	LPRT JOB5098 「A3 ABCDEFGH IJ LMN」		1974.9.26	19	pdf
518	LPRT JOB5109 「IJOPQ」		1974.9.26	11	pdf
519	LPRT (IJOPQGN coloring)			8	pdf
520	LPRT result image 「IJOPQ」		1974.9.26	18	pdf
521	LPRT JOB5133 「A4&B4 ABCDEFGHIJ LMN OPQ」		1974.9.26	11	pdf
522	LPRT result image 「A4&B4 ABCDEFG HIJ LMN」 colored		1974.9.26	18	pdf
523	LPRT Simulated Color Mosaic output images			8	pdf
524	LPRT binder cover 「Color Mosaic IBM」			1	pdf

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Zagreb
code		date	pages	file
601	Letter file 「NT Project 4」	1968 - 1971
	large envelope 「NT Project 4」(1) 「CATALOGUE OF WORKS for NT4(1969)」(corrected)(1) postmarked envelopes (12) Zagreb publication Zagreb -> Kawano Kawano -> Zagreb Misc 1968.4. 1968.4. 1968.?. 1968.11? 1968.4. 1968.6. 1968.8. 1968.8. 1968.11. 1968.11. 1968.11. 1969.6.25 PI-1 PI-2 PI-3 PI-4(blueprint) PI-5 PI-6 PI-7 PI-8 PI-9 PI-10 PI-11 Invitation 1968.8.14 (arr. on 1968.12.2) 1968.9.16 (arr. in mid Nov 1968) 1969.1.27 1969.2.17 1969.3.31 1969.9.23 1969.11.27 1969.12.23 1970.2.13 1971.5.25 1971.6.11 1968.7.16 1968.12.2 1969.2.6 1969.3.3 1969.3.1 (draft for 1969.3.3) 1969.10.30 1969.12.7 1969.12.20 1970.1.6. 1969.3.4 Receipt of registered mail  PI: Programme Information
602	NT4 application files	1968	33	pdf
	large envelope "NT4 applied files" (1) application forms [PI-4] (2) "CATALOGUE OF WORKS for NT4" (1) correction: pdf FLOW-DIAGRAM A (1) FLOW-DIAGRAM B (1) Program No.3 codes and subroutines 1966.5.26, 1967.1.11 (10) Program No.2 codes (2) Program No.1 codes and subroutines 1967.1.11 (15)
603	Int'l Colloquy: Art and computers 71 speaker list Sound archive is available from the museum of contemporary art, Zagreb.	1971.6.26/27	5	pdf
604	Int'l Colloquy: Art and computers 71 photo album	1971.6.26/27	1	html

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MARKOV PATTERNS
code	Title	Language	Date	pages	file
701	"Markov Pattern 1 program BASIC demo" cover			1	pdf
702	"Markov Pattern 1" memo			2	pdf
703	"Markov Pattern 1" program HRMARK.1   HR: High Resolution	BASIC	1989.2.19	5	pdf
704	"Markov Pattern 1" program HRMARK.2	BASIC	1989.2.19	7	pdf
705	"Markov Pattern 1" program HRMARK.2	BASIC	1989.2.19	5	pdf
706	"Markov Pattern 1" program HRMARK.3	BASIC	1989.2.19	15	pdf
707	"Markov Pattern 1" program MARKOV4	BASIC	1989.2.19	5	pdf
712	"Markov Pattern 1" program HRMARK.6	BASIC	1989.5.31	6	pdf
713	"Markov Pattern 1" program HRMARK.6	BASIC	1989.5.31	6	pdf
708	"Markov Pattern 1" program HRMARK.4	BASIC	1989.10.27	5	pdf
709	"Markov Pattern 1" program HRMARK.6	BASIC	1989.10.27	6	pdf
710	"Markov Pattern 1" program HRMARK.6	BASIC	1989.11.1	6	pdf
711	"Markov Pattern 1" program HRMARK.6	BASIC	1989.11.1	6	pdf
714	"Markov Pattern 1" program HRMARK.6	BASIC	1989.11.1	6	pdf
715	"Markov Pattern 1" program HRMARK.6	BASIC	1989.11.1	6	pdf
716	"Markov Pattern 1" program HRMARK.6	BASIC	1989.11.1	6	pdf
717	"Markov Pattern 1" program HRMARK.7	BASIC	1989.11.1	6	pdf
718	"Markov Pattern 1" program HRMARK.7	BASIC	1989.11.1	6	pdf
719	"Markov Pattern 1" program HRMARK.9	BASIC	1989.11.1	6	pdf
720	"Markov Pattern 1" program HRMARK.9	BASIC	1989.11.1	6	pdf
721	"Markov Pattern 2" data and trials	Pattern images		12	pdf
799	"Markov Patterns" all:701-721		1989	107	pdf

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IMAGE WORKS
code	marginal memo	series of	substrate	size(mm)	year	file
801	(cover) "Work 0"		14in LPR folding paper		1964	jpg
802	「DESIGN 1, quadruple Markov chain, DATA 1,2,3」	Markov Chain Pattern in B/W	white paper/LPR	250x338	1964	jpg
803	DESIGN1   1 DESIGN		white paper	244x331	1964	jpg
804	DESIGN1   3		white paper	244x331	1964	jpg
805	DESIGN2 update   D   3-3   DESIGN 1-4   I II III III III (45666)	Markov Chain Pattern in 5 Colors	white paper	241x351	1964	jpg
806	DESIGN2 update   a1   DESIGN 1-2   II II II I I (44455)		white paper	241x353	1964	jpg
807	DESIGN2   3		white paper	248x326	1964	jpg
808	DESIGN2   1   without section paper		white paper	244x323	1964	jpg
809	(cover)"1,2,3,4 of WORK1" data 1,2,3   5 colors,         1 22222, 2 11222, 3 11223, 4 12333」		14in LPR folding paper		1964	jpg
810	3-4 b   5 colors   II II II II II (55555)	Markov Chain Pattern in 5 Colors	white paper/LPR	249x350	1964	jpg
811	3-7 a   5 colors   I I II II II (44555)		while paper/LPR	248x350	1964	jpg
812	3-2 c-d2   DESIGN 1-3   I I II II III (44556) "Kagaku Yomiuri" cover		white paper/LPR	250x350	1964	jpg
813	3-7 d   5 colors   I II III III III (45666)		white paper/LPR	250x350	1964	jpg
814	d	Markov Chain Pattern in 5 Colors	white paper	240x349	1964	jpg
815	(no caption)		white paper	241x256	1964	jpg
816	DESIGN7 a		white paper	247x335	1964	jpg
817	DESIGN4   1	Markov Chain Pattern in B/W	white paper	A3	1964	jpg
818	DESIGN4   2		white paper	A3	1964	jpg
819	(cover) WORK2-1,2,3   input data A,B,C, black & white		14in LPR folding paper		1964	jpg
820	DESIGN5-1 ABC   DESIGN 2-1	Markov Chain Pattern in B/W	white paper/LPR	250x338	1964	jpg
821	DESIGN5-2 AAA   DESIGN 2-2		white paper	231x269	1964	jpg
822	DESIGN5-3 BBB   DESIGN 2-3		white paper/LPR	250x338	1964	jpg
823	DESIGN5-3 BBB		white paper	235x269	1964	jpg
824	DESIGN5-2 AAA   5-2		white paper/LPR	248x338	1964	jpg
825	DESIGN5 DATA A (DES5-2 + s012 + )	Series of Pattern layout	section paper	297x1112	1964	jpg
826	DESIGN5 DATA B (DES5-3 + s013 + )	Series of Pattern layout	section trace	297x1089	1964	jpg
827	(cover) WORK3-1,2,3,4   input data A,B,C, black & white		14in LPR folding paper		1964	jpg
828	D6 ABC   DESIGN 3-1	Markov Chain Pattern in B/W	white paper/LPR	250x338	1964	jpg
829	D6 CBA   DESIGN 3-2		white paper/LPR	248x338	1964	jpg
830	D6 AAA   DESIGN 3-3		white paper/LPR	248x338	1964	jpg
831	D6 BBB   DESIGN 3-4		white paper/LPR	248x338	1964	jpg
832	DESIGN6   DATA BBB		white paper	A3	1964	jpg
833	DESIGN6 DATA A	Series of Pattern layout	section paper	297x1660	1964	jpg
834	DESIGN6 DATA B   Design6:1964/1965	Series of Pattern layout	section paper	297x1648	1964	jpg
835	(no caption)	Markov Chain Pattern in B/W	white paper	437x310		jpg
836	september		white paper	437x310		jpg
837	A (size and DIC color assignment)	Markov Chain Pattern in 5 colors	section paper	260x290		jpg
838	B	Markov Chain Pattern sketch in 5 colors	section paper	240x300		jpg
839	B (size and DIC color directions, 12 colors) these color sample names are taken from 'ARBORITE'	Artificial Mondrian	section paper	370x310		jpg
840	C (assign the size and DIC colors)	Markov Chain Pattern in 5 colors	section paper	360x310		jpg
841	NG(no good)	Markov Chain Pattern sketch in 5 colors	section paper	310x420		jpg
842	"for Plaza Dic" data G,H,I or 7,8,9   1970.8.26 coloring	Series of Pattern layout	section paper	297x1180	1970	jpg
843	1970.8.26 coloring	Series of Pattern layout	section paper	297x1097	1970	jpg
844	color statistics 15 colors)		section paper	B4		jpg
845	(no caption 16colors)		section paper	B4		jpg
899	IMAGE WORKS all 45 images (801-845)			1964-1970		pdf

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ART WORKS
code	Title	substrate	image(mm)	year	file
	Series of Pattern
901	Work No.5 (MSU, Zagreb)	paper	286x1097	1967	jpg
902	Series of Pattern - flow (TAU Museum, Tokyo) exhibited at Solo in Tokyo 1970[A04]	paper	1m x 10m	1969	photo
	total production number of this series is not known. archived in ZKM Karlsruhe.
	series of Artificial Mondrian
921	Work No.7 (MSU, Zagreb)	paper	396x397	1966	jpg
922	an Artificial Mondrian	paper		1966	jpg
923	an Artificial Mondrian	paper		1966	jpg
924	Artificial Mondrians: pdf images are without color compensation	paper		1966	pdf
925	an Artificial Mondrian	paper		1966	jpg
926	an Artificial Mondrian	paper		1966	jpg
	total production number of this series is not known. archived in ZKM Karlsruhe and TAU museum, Tokyo.
	series of Simulated Color Mosaic
941	Simulated Color Mosaic (Musee d'art contemporain de Montreal)	paper	1m x 1m x 10	1969	jpg
941A	a Simulated Color Mosaic (reproduction: ZKM)	paper	1m x 10m	1969/2011	jpg
942	Simulated Color Mosaic (reproduction: TAU Museum, Tokyo)	paper	1m x 4m(partial edition)	1969/2006	photo
943	Simulated Color Mosaic (reproduction: ZKM, Karlsruhe)	paper	1m x 10m	1969/2011	photo
944	Red Tree	serigraph	51x38cm	1971	jpg
945	Work No.1 (MSU, Zagreb)	paper	195x200	1964	jpg
971	Boogie	serigraph	570x573	1973	jpg
	total production number of this series is not known. archived in ZKM Karlsruhe.
	series of PDL Scenery
961	a PDL Scenery (TAU Museum, Tokyo)		249x350	1974
962	a PDL Scenery (TAU Museum, Tokyo)		249x350	1974
963	a PDL Scenery (TAU Museum, Tokyo)		249x350	1974
	total production number of this series is not known. archived in ZKM Karlsruhe.
	Relief works
981	Informational Relief - Human face (TAU Museum, Tokyo)	woodblock	249x350x	1969	jpg
982	Informational Relief (ZKM, Karlruhe)	woodblock	249x350x	1969	jpg
	Portfolio
990	Art Ex Machina, Red Tree 1971,   Gheerbrant gallery, Montreal           brochure			1972	jpg
	Art ex machina, Six originals computer art serigraphs, Bardillo, Kawano, Knowlton, Mohr, Nake, Nees, With a statement by each artist and a text by Abraham A. Moles.. Montral: Gilles Gheerbrant ed., 1972. grand in-folio de 50.5 x 38 cm : 1 f. de titre, 2 f. de prsentation (franais et anglais) et 6 cahiers de 2 f. imprims contenant les 6 srigraphies. :: Tirage 200 ex. num. (no 197) Chaque srigraphie est numrote et signes par l'artiste : Manuel Barbadillo, Hiroshi Kawano, Ken Knowlton, Manfred Mohr, Frieder Nake et Georg Nees. HOULD 194. :: Ce fut tout un laboratoire, autant pour l'exprience "d'infographie" ralis avec des fiches perfores (key punch) que pour le travail en srigraphie dont c'tait les dbuts artistiques, excut par Pierre Foisy. :: Est-ce la fin de l'OEUVRE d'art ? : Moles believes that now any artist, by simple permutation of this most various semiotic material, is able to create not only new art works, but even new kinds of art! And, which is most significant - the needs in all the previous kinds of art is therefore vanished and abolished. (B.Galeyev - Computers and Art : Myths and Reality, 1991).
991	The SDL Collection, Boogie 1973,   Systems Dimention Limited			1973(?)	jpg
	Artists: Manuel Barbadillo(Spain), Hiroshi Kawano(Japan), Kenneth Knowlton(USA), Manfred Mohr(France), Georg Nees(Germany), John Roy(USA), Zdenek Sykora(Czechoslovakia), Roger Vilder(Canada), Edward Zajec(Italy)

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